Showing posts with label Gwyneth Herbert. Show all posts
Showing posts with label Gwyneth Herbert. Show all posts

Review: An Evening With Fran Landesman

An Evening With Fran Landesman
(Leicester Square Theatre, April 19th 2011, part of the Art of Sonf Festival. Review by Kai Hoffman)


I can count myself as lucky to have seen iconic Beat-generation poet Allen Ginsburg perform, shortly before he died back in the 1990s. That energy, enthusiasm, dry humour, stabbing wit, poignancy and boundless zest for life – I’ll never forget the power of that performance.

Tonight, I was equally privileged to see the amazing Fran Landesman, American poet, lyricist and one of the last living links to the Beat Generation. What a woman. What chutzpah. Her energy, enthusiasm, dry humour and terrifically pointed one-liners, along with her incredible catalogue-like memory of her poetry – at age 84 – are astounding. Her lyrics describe the things one often only wishes could be expressed in words (or said out loud in polite company) – from the poignant ‘Scars’ and ‘Tomorrow Never Came’ to the sassy ‘I Want to be Good’ – there are boundless brilliant lines.

Last night’s show, celebrating Fran’s vast career of more than 50 years, was a moving, funny, and evocative evening of songs, words and laughter, performed immaculately by celebrated jazz vocalists including Ian Shaw, Gwyneth Herbert, Sarah Moule and Nicki Leighton-Thomas.

The performance featured a trio of double bassist extraordinaire Dave Green, with Fran’s guitarist son, Miles Davis Landesman, plus her expert composition partner of nearly twenty years, pianist Simon Wallace. He had co-written all but three of last night’s tunes. It started out with award-winning vocalist Gwyneth Herbert and ‘The Ballad of the Sad Young Men.’ Gwyneth’s clean, eloquent phrasing complemented the text perfectly – and set the mood for a fantastic evening of Fran Landesman’s varied and witty lyrics. The synergy between Landesman’s words and Wallace’s scores is evocative, sometimes melancholy, sometimes frisky, and always right-on-the-money. Amazing!

Host Joe Paice guided Fran expertly through various key moments of her illustrious career, including anecdotes involving Miles Davis, Gerry Mulligan, Susannah McCorkle, Dudley Moore, Annie Ross, Marty Feldman, Bette Midler and countless other famous names from the 20th century. One of her songs in particular, ‘Spring Can Really Hang You Up the Most,’ boasts recordings by Ella Fitzgerald & Barbara Streisand among countless other famous names – and Fran’s favourite rendition, by BBC Jazz Vocalist of the Year two-time winner Ian Shaw – who once again delivered the song immaculately at Leicester Square Theatre last night.

Fran’s own singing and recitations of her poetry were sensational – I particularly loved ‘Crown of Thorns,’ ‘It’s Not Your Night’ and her tear-provoking ‘Scars.’ Other highlights of the evening included Nicki Leighton-Thomas’ dynamic version of ‘Damned if I Do’ (also available on her wonderful CD dedicated to the songs of Wallace & Landesman), guest singer Pete Atkin’s moving version of ‘Snows of Yesteryear,’ and Sarah Moule’s versatile rendition of ‘Nothing Like You’ (a song which was recorded by Miles Davis in 1967 on his album ‘Sorcerer’).

Having been nicknamed the ‘Patron Saint of Lovers & Losers,’ Fran Landesman’s remarkable lifetime catalogue of songs were celebrated in a worthy manner last evening – may there be many more such nights!

franlandesman.com

Gwyneth Herbert - Clangers and Mash


Sarah Ellen Hughes went to the launch of Gwyneth Herbert's Clangers and Mash (Naim) earlier this week. Here's her report:

Gwyneth Herbert's new release Clangers and Mash (Naim) has nine tracks, and a total of six songs . It is in the indistinct area between the backdrop for a single and an album.

She writes about it: "I wanted to do something a bit different to mark the release of our new single, Perfect Fit, so I scrabbled around for a few backstage scrapings and asked a handful of my lovely and varied musician friends to present some Herbert tracks as they'd never been heard before . The result is Clangers and Mash: bleepy, tappy, pleasureful earfood to tickle your bellies. Tuck in."

The PR message I picked up is that Herbert is progressively moving away from the "jazz singer," label into more mainstream singer-songwriter territory. It's not surprising that this takes time, particularly as her attention gets waylaid by ambitious - and highly successful- projects such as the film score she recently wrote for The Patsy - reviewed by Alyn Shipton HERE 
 
She is indeed an extremely versatile singer and songwriter. The new single was catchy, and striking for its use of harmonied vocals. Her voice is powerful, raw, achy and intimate all at the same time, particularly in "So Worn Out" (Temper D Remix) and she sings with that same sense of maturity and experience that you find in Joni Mitchell’s later recordings.

As a performer - I went to the preview of the new release at Ronnie Scott’s Bar on Wednesday - she has a fun and feisty way of getting her songs across. Her poetic lyrics and charismatic delivery marry well, creating an intimate yet totally relaxed atmosphere in this crowded bar. Her stage craft is faultless – from a commanding glance right down to a perfectly place ‘pop’ noise following the lyric "Silver bangles and a popped balloon" in Annie’s Yellow Bag. Ah, I thought, that’s what the balloon was for.

Gwyneth Herbert is a lively and charismatic performer, a songwriter who is building her songbook at her pace. And one definitely doesn't forget that sassy combo of the ukulele and the killer heels...