Showing posts with label Esther Bennett. Show all posts
Showing posts with label Esther Bennett. Show all posts

Women in Jazz: Esther Bennett on the Jam Scene



LondonJazz contributor and former alto sax player turned notable jazz singer, Esther Bennett is a veteran of many of London's jazz jams. She picks out her favourite jazz jams and profiles young Latvian guitarist, Nora Bite, a regular face on the jam scene.

Born in Latvia’s capital Riga, Nora Bite took up guitar at 13. Her original interests were pop and rock but after attending a guitar week in Madona, Latvia she discovered blues and flamenco, and was very quickly introduced to jazz by a friend and teacher.

She studied Jazz Guitar and Music Management at the Riga Dom Choir School, thereafter attending summer schools in Spain and at Umbria Jazz and Berkeley. It was when Nora came to The London Jazz Festival in 2009 that she realised that to develop as a player, she had got as far as she could as a jazz musician in her own country.

The inspiration she gained from London and NY jazz musicians asserted her belief. She had been gigging and teaching from the age of 16 and was by now in a jazz quartet with some of Latvia's finest musicians not to mention the offer fame and fortune in an all girl Latvian pop band, but jazz and the desire to improve won out!

So in 2010 she arrived in London. The rest is a familiar story for any serious trainee jazz musician – travelling to all areas and edges of this city in search of the jazz jam - to play, up one's game or to simply soak up the vibe with like-minded people.

We are all familiar with the famous Ronnie Scott's jams and Nora arrived when Mike Mwenso had moved to the main stage leaving at first saxophonist Binker Golding and then trumpeter Andy Davies (with the fabulous pianist Benet McLean), to run the upstairs sessions.

There are other very longstanding and rather unsung jam leaders and venues deserving a nod. Guitarist, Alan Weekes, is heavily involved in the jam session circuit, running Uncle Sam’s at The Haggerston in Dalston and co-running nights at The Effra in Brixton with drummer Kenrick Rowe.

Saxophonist Bucky Leo and his quartet host a weekly jam every Monday at The Silver Bullet in Finsbury Park and drummer Matt Fisher runs Wednesday evenings at St Paul’s City Pipe. Not forgetting the Jazz Downstairs at The Kings' Head in Crouch End, with the Laurie Morgan Trio, including regular pianist, John China and compered by singer and LondonJazz contributor, Jeanie Barton.

These are only a few but I am sure Nora, like most musicians learning their trade, will have scoured Jazz In London and followed them all.

Nora, like most serious female musicians, agrees that the bottom line is that one is judged by one's musical ability and not by gender….but I think that we can all empathise with the advice given to her by a Latvian teacher, that, in a predominantly male world, you have be tough, independent, focused and have “bigger balls”!

If you're looking for a jazz jam in London, check out http://www.jazzinlondon.net/

Preview: Esther Bennett on the songs of Duncan Lamont Sr.

Esther Bennett writes about the songs of Duncan Lamont Sr,. which she is singing at the Pheasantry in Kings Road on Monday November 29th.

A quick walk through Duncan Lamont Sr.'s credentials shows that he has been a studio player (often featured soloist) on tenor saxohone for Henry Mancini, Benny Goodman, Gil Evans, Peggy Lee, Frank Sinatra, Bing Crosby,Tony Bennett and Paul McCartney...

And that as a composer his songs have been performed and recorded by Natalie Cole, Blossom Dearie, Mark Murphy, Cleo Laine, Norma Winstone, Claire Martin and Ian Shaw...

These are songs which transport the singer and audience straight to a particular time and place, or mood or feel. The lyrical content of "Pretty People," for example, is wryly observant:


"He does something in the city she’s in fabric and design
they’re pretty people, such pretty people.
They’ve a house right on the river and a cellar full of wine,
they’re pretty people”


or try the conversational and secret-sharing intimacy of "I Didn’t Know You At All":

"I thought I knew you so well?
I never quite heard your laughter.
I took your love in my stride.
Now…..I remember your laughter."


The recent "I’ve Just Said Goodbye To The Blues" invites you to “live laugh love and Samba your cares away.”

From a personal point of view, I feel that Duncan’s lyrics reveal a deep understanding of the human condition, and of women, and that the music itself contains a great deal of soul.

As one would expect from a musician, composer and arranger of Duncan’s sophistication, the melodic lines that are often far from predictable, offering many unexpected intervals and rhythmic tricks and turns that are a joy to learn.

I am opening the show with "52nd Street." The quotes and references speak for themselves and fully illustrate a lifetime's experience and education in jazz.

Thank you Duncan. It is a privilege to work with you, and will be an honour to have you with me (and John Crawford on piano and Simon Little on bass) at The Pheasantry on Monday November 29th. I look forward to continuing to give your songs the love and respect they deserve.

PIZZA EXPRESS AT PHEASANTRY is at 152 -154 KINGS ROAD, SW3 4UT
www.pizzaexpresslive.com/ 0845 6027 017 -SHOWTIME 8.30PM / £17.50